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    • Questions for a Stony Landscape
    • Underground Chambers
    • Looking for John Winthrop Jr.
    • Connecticut / Rhode Island Color
    • Florence Griswold Museum
    • Time, Tide and Place
    • Green Fall Watershed, Color
    • Green Fall Watershed, BW Panoramas
    • Under a Green Canopy
    • Figures in the Landscape
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Ted Hendrickson       
Photographic projects
    Portfolios
      New London
      New London Triptychs
      From My Porch
      Irish Panoramas
      Irish Triptychs
      Glacial Erratics
      Babson Boulders, Dogtown
      Questions for a Stony Landscape
      Underground Chambers
      Looking for John Winthrop Jr.
      Connecticut / Rhode Island Color
      Florence Griswold Museum
      Time, Tide and Place
      Green Fall Watershed, Color
      Green Fall Watershed, BW Panoramas
      Under a Green Canopy
      Figures in the Landscape
      Historic Buildings
    About
    Contact
New London
New London Triptychs
From My Porch
Irish Panoramas
Irish Triptychs
Glacial Erratics
Babson Boulders, Dogtown
Questions for a Stony Landscape
Looking for John Winthrop Jr.
Connecticut / Rhode Island Color
Underground Chambers
Time, Tide and Place
Green Fall Watershed, Color
Green Fall Watershed, BW Panoramas

Introduction

         My photography, I have come to realize, is about time and change. My first “serious project” involved photographing the built environment of Southeastern Connecticut and especially my hometown, New London. The fast-paced changes of the 1970’s and 80’s sped the process by which the images became about the past, about what was there instead of what is there. While I was busy teaching myself how to make interesting pictures, I became an “accidental historian.”


My attention turned to the landscape. Wooded areas cleared and destined for housing subdivisions or shopping malls seemed to proliferate in the late 80’s and 90’s. I photographed the sites. It was a narrative of loss and time. Glacial erratic boulders captured my attention next, survivors from the last retreat of the ice. They seemed to have their own stories to tell. Trips to Ireland followed in the 2000’s photographing stone circles, rows and monoliths: sites of forgotten ceremony nestled into the landscape. They made me wonder, were there mysteries here at home fostered by man’s past work on the land?


The book Manitou by James Mavor and Byron Dix discusses a rocky New England landscape containing overlooked evidence of Native American stonework, often connected with celestial, solar and lunar calendar functions. I tried to find and document these fragile survivors of the past in a clear and straightforward way, and also situate them in a landscape of change.


Another current body of work centers around John Winthrop Jr., first governor of the Connecticut Colony. Growing up in New London, we were taught the story of our city’s founder. I went to Winthrop Elementary School, built on the site of his family home and now gone in the wake of constructing Rt.95’s southbound bridge. How much has changed since his arrival in 1631, how much of this legacy remains? I hope this might change the experience of time and history, seeing beyond what is there to also imagine, simultaneously, what perhaps, was there.


Other projects have periodically demanded my attention and continue to inspire.